Friday, January 11, 2013

Did You Catch It?


DID YOU CATCH IT?
Observations on watching the calving episode of the film Chasing Ice

December 5, 2012


THE GLACIERS are metaphor and reality, both at once, of our crumbling world. We watch them melt, like Civil War soldiers, lining up in ranks, facing an enemy lined up in ranks thousands of miles away. hThe command goes out:

                                                FIRE!

and the first rank falls down, mowed down by the opposition’s bullets. We watch them fall.

FIRE!

They begin to crumble. Tors, stalactites, like Bryce Canyon carved in ice. Tor by tor, they tip—the tipping point—they rush headlong into the sea. White tors, white sea, the first rank falls, pulling the second rank behind it. They tip, they fall, they rush into the sea.

FIRE!

It is the invisible fire, the extra-arctic fire of car exhausts, of cars whose owners are driving around the block looking for a parking space, who leave their motors idling. Of coal burning and oil burning plants producing steam to drive the turbines that run the lights of cities so bright at night they can be seen from space efflorescing like poison fungi in the dark. They say you can tell from space, where the industrial countries are: they effloresce the brightest.  The “developing” world lies in darkness.

In the frozen north comes the great thawing. The Industrial Revolution’s smoke stacks have left their markings, striations of soot zebra stripe the blue of ice marking the years since 1750, like layers of an onion. The arctic winds have rattled time, upthrusting the stripes into geological strata, tilting crazily in the struggle: ice against the depredations of man, man’s factories, man’s cars, man’s wanting to have more, more comfort, more to burn up, more to fill insatiable needs.

                                                FIRE!

But the ice won ‘t go silent. Boom goes the first rank. It is the boom of the avalanche that warns too late. The arctic is booming.   The ice has issued its warning, but in New Orleans in 2005 no one can hear it.  Boom.  In 2011, in New England, the people can’t hear it. Boom.  In 2012, in Staten Island, in Rockaway, on the shores of New Jersey, the people can’t hear it. They will drive.  They will keep the lights on.

BOOM. 

In Mindanao, the people can’t hear it.  477 of them will drown.

In Doha, the Climate Negotiators can’t hear it.

Boom. This is the sound of the ice, melting, the infrasonic rumble. Listen. Listen now. The rumble of the deep.  Listen.  Here it comes, gathering speed.  Can you hear it?  Can you feel the ground move beneath your feet? Here it comes, opening its great jaws. This moment, when the rumbling gathers speed. Louder. It gets louder now. Yet louder. Can you hear…

But no.  You are in your soundproofed halls of power. You too, line up in rows, disguised behind the names of your countries here in Doha where the hostess of this global event has dropped them like giant place names. You cannot hear it.  The earphones block your ears as you take in the simultaneous translation in your country’s language. You cannot hear it as you prepare to speak. You cannot hear it under the factory lights of the great hall in which you sit manufacturing lies and delay.

You are meeting in Doha—of course—capital of the richest per capita nation in the world, whose every citizen receives an annual subsidy from the oil you extract—of course—that will be transported in pipes, in ships—of course—belching smoke from its stacks—where it will be used to burn—of course—making more light. So the earth can be seen from space, so the efflorescence of its light can delineate the littorals of its most developed countries, of its cities bathed in street light so bright it can be seen from outer space, so it can send out its SOS in space: we are burning. We are on fire, the fire which is at war with the ice.

Boom. Our oceans are rising. The fist rank of ice goes toppling, falling, falling into the deep. Boom.

But the night of space does not hear. And behind their place names, the delegates wrap their heads in their earphones, listening to the simultaneous translation of the speeches in their languages, sitting under the industrial lights whose power is being generated by the coal burning, oil burning furnaces—of course—of the turbines that make the power that guarantees that they won’t hear, that they won’t see the infinitely small moments in time when, amidst the cascading ice sheets, a whale heaves its great weight into the light, into air, for this brief moment—to look at us earthlings with its great accusing eye.







Friday, October 12, 2012

Everybody's Doin' The Fukushima




 C                                                                   Am
EV - ER - Y   BOD-Y'S   DO-IN'  -  THE   FU - KU - SHI - MA
          C                                                                                 Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE  IT  CAN'T  HAPPEN  HERE
                     C                                                                 Am
DON'T   NEED  NO  REG-U-LATION   -   DON'T  NEED  TO  CALL  FE - MA.
         C                                                                        Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE  IT   CAN'T  HAPPEN  HERE

                F                                                                   Dm
 JUST   DANC-IN'   TO  THE  TUNE   OF    THE      N.      R.      C.
                      F                                                                        D
 MAK-IN'    MON -EY     FOR   THE   NU - CU  -LAR    IN-DUS-TRY  
                C                                               G                                                                C
SO    COME   ON ,   COME  ON  -   DO-O   THE   FU-KU-SHI-MA   WITH   ME.

               F
             YOU   GOT   TO   SHAKE  YOUR  BOOT-Y  
                F
            WITH YOUR HEAD  IN  THE  SAND!
                                          D                                                              G
             WHILE   PLU - TON- IUM    IR-RAD-IATES   YOUR   THY-ROID   GLAND.

           C                                                               Am
WE  GOT  A    CRAZ-Y  DANCE  CRAZE  -  SWEEP - IN'    THE   NAT -  ION.
         C                                                                            Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE    IT    CAN'T  HAPPEN  HERE
            C                                                                                 Am
SO    DON'T     BE     A - FRAID    -   OF   LEAK-ING    RA -DI - A - TION.
         C                                                                         Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE   IT   CAN'T  HAPPEN  HERE

                    F                                                               Dm
DON'T   WORR - Y    'BOUT    THINGS  THAT   YOU   CAN'T   SEE  
            F                                                                                          D
'CAUSE   YOU'RE   GET -  IN'   THAT   CHEAP    CLEAN     EN - ER - GY,
                           C                                  G                                                                  C
SO    COME   ON ,   COME  ON  -   DO-O   THE   FU-KU-SHI-MA   WITH   ME.

            BRIDGE          





           

  C                                                                                    Am
NOW  COME   ON   EV-ERY   BOD-Y   -   JUST   TA-KE   A   CHANCE,   YEAH.
           C                                                                     Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE IT  CAN'T  HAPPEN  HERE
   C                                                                                         Am
FOR-GET    THOSE    JAP-AN-ESE   FOLKS  -   ALL    DY-IN'  FROM   CANC-ER.
          C                                                                                  Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE  IT  CAN'T  HAPPEN  HERE

F                                                                           Dm
IT'S   SO   EAS-Y   TO   PRE-TEND   THAT  YOU   CA-N'T   SEE,
F                                                                                              D
MUCH    EAS - I - ER    THAN    LEARN -IN'    'BOUT   RE-AL-ITY.
              C                                                   G                                                              C
 SO    COME   ON ,   COME  ON  -   DO-O   THE   FU-KU-SHI-MA   WITH   ME.


      BRIDGE             

C                                                                                Am
DON'T    FRET    A - BOUT    OB-SOL-ETE      NUC -U -LAR    PLANTS,  NOW
          C                                                                                  Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE IT  CAN'T  HAPPEN  HERE
 C                                                                                      Am
JUST     LEARN    TO    DO    -   THE     FU  -KU - SHI  - MA    DANCE,  NOW
          C                                                                                   Am
IT   CAN'T  HAPP-EN  HERE,    BECAUSE  IT  CAN'T  HAPPEN  HERE

                F                                                                  Dm
AND    WHEN    IT    MELTS  DOWN       WE  KNOW  WHAT  TO  DO
            F                                                                      D
WE   JUST    START   DANC - IN'  TO   THE      TUNE   OF   WHO    KNEW?
           C                                                                      G                                                                     
SO    COME   ON ,   COME  ON.    LET  US   DO   THE   FU-KU-SHI-MA.  .  .   
         C                                                                     G                                                            
COME   ON ,   COME  ON.    LET  US     DO   THE   FU-KU-SHI-MA.  .  .   
   C                                                                            G                                                                     C
COME   ON ,   COME  ON.   -   LET   US    DO-O   THE   FU-KU-SHI-MA   ON  YOU!   








Exception to the Coup




Why, why, has the American public been so very reluctant to view the events which led to indefinite detention; targeted assassination, suspension of the Right to Privacy, and war-without-end, namely the events of nine eleven as a military/industrial coup?

The evidence is there; it has been placed before the public from every conceivable angle: career airplane pilots; geologists; metallurgists; engineers; firemen; police men; the sources are legion and all converge.  They point to controlled demolition, to the signature pattern of buildings pancaking into their own footprints, and that includes building number seven which the “planes” that flew into the WTC somehow managed to overlook—but which collapsed anyway.  And what was housed in that building? An inquiry as to exactly what it housed yields interesting results, but that is not the subject of this outcry.

From history textbooks—all of which now need to be approved  by the Texas School Board which assures standards of the lowest common denominator to insure that generations of idiots are turned out in the “public” school assembly lines (schools which have long ceased to be public in the sense of serving the public interest) we learn that the United States is:

a shining beacon of democracy

a dispenser of good and largesse to the entire planet

an instrument of good against evil

a force for bringing democracy to every possible corner of the globe

and that it does so with over 1000 military installations throughout the world;
with a military budget that exceeds the combined military budgets of every other country on earth.

The history books don’t ask what the relationship might be between all that benevolence and that fulminating military budget.  Nor are they designed to promote critical thinking because critical thinking just might be real democracy’s secret weapon.

Americans are Exceptional: they are good people; they do good throughout the world, they spread their democracy and their Fulbright grants everywhere, and they do all these good things with absolute certitude of their goodness and their worthiness.

They are too good ever to include the dark stuff of dictatorships in their celestial landscape, things like political assassinations (they are so good they even have ballistic theories that defy the laws of physics). And they could never, never have such an ugly thing as a military coup.  Coups are for dirty  little countries like Guatemala (Rios Montt); El Salvador (Christiani) Honduras (Porfirio Lobo Sosa); Cuba (Fulgencio Batista); Chile (Augusto Pinochet);   But in the well-fed, well-housed, well-educated, well-medicated  Democracy that exists in the United States, ugly things like that could never happen.

Which is why the events of nine eleven were brought to you by a gang of crazed box-cutting –what? Iraqis? Afghanis? no?  well, Saudis. But anyway, they were not Royal Saudis, they were the wrong kind of Saudis because a real coup, a military coup (where all the scrambling jets stand down) could never happen to us.